Thanks for sharing! I feel the same way towards Singer's thought experiment. I personally find it much more motivating to use Joe Carlsmith's version of it.
Suppose that I am setting off to walk in the forest on a crisp fall afternoon — something I’ve been looking forward to all week. As I near the forest, I notice, far away, what looks like some sort of commotion down by the river, off of my walking route, though I can’t see very clearly. I consider going to see what’s going on, but the light is fading, so I decide to continue on my way.
I learn later that while I was walking, a man in his early forties drowned in that river. He was pinned under some sort of machinery. Five other people were there, including his wife and son, but they weren’t strong enough to lift the machinery by themselves. One extra person might have made the difference.
(Here I try to imagine vividly what it was like trying to save him — his wife desperate, weeping, pulling at him, his own eyes frantic, the fear and chaos, the eventual despair– and the pain of his absence afterwards; and the counterfactual world in which instead, another person arrived in time to help, and he lives.)
The intuition this pumps for me is: I wish I’d gone to the river. Importantly, though, at least for me, the case leaves the focus of attention on the drowned man himself, and the clear sense in which a beautiful walk would be worth trading, cancelling, disappearing, to grant him multiple decades of life, and his family multiple decades of time together. The question of whether my choice to continue walking was wrong, though not entirely absent, is less salient. That is, for me (at least as a thought experiment — who knows how I’d feel if something like this really happened), the case touches most centrally into a feeling of regret, rather than guilt. I wish I could go back, and create a world where I had one fewer beautiful walk, and he lived.
Thanks for sharing! I feel the same way towards Singer's thought experiment. I personally find it much more motivating to use Joe Carlsmith's version of it.